Two Brothers in a Mountain Village of 180 People Are Keeping Greek Woodcarving Alive — With Orders From Top Restaurants - iefimerida.gr

Two Brothers in a Mountain Village of 180 People Are Keeping Greek Woodcarving Alive — With Orders From Top Restaurants

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Triantafyllos Nitsas and his brother Nikos Nitsas run a woodcarving workshop in the remote Pindus mountain village of Milia — population 180 — turning raw timber into charcuterie boards, chopping blocks and mortars for high-end restaurants and television cooking shows, while watching the craft they inherited from their father and grandfather slowly lose the apprentices it needs to survive.

ΤΟ ΑΡΘΡΟ ΣΥΝΕΧΙΖΕΙ ΜΕΤΑ ΤΗΝ ΔΙΑΦΗΜΙΣΗ

"The market is actively seeking these authentic products, but the artisans are dwindling year by year," Nikos Nitsas said.

"Young people continue to abandon the mountains for opportunities in larger urban centers. Yet, for anyone willing to master the physical discipline, this remains a highly viable profession."

The work demands patience that is harder to find than the wood itself.

The brothers buy regional logs, cut them to precise dimensions and age the timber in dedicated storehouses for up to two years to prevent warping.

They use no varnish, dyes or synthetic sealants — only the natural wood itself, which they say is both a food safety decision and a mark of the craft's integrity.

Their output has shifted with the market: traditional shepherd's canes have given way to items wanted by the hospitality sector, but the production method has not changed.

ΤΟ ΑΡΘΡΟ ΣΥΝΕΧΙΖΕΙ ΜΕΤΑ ΤΗΝ ΔΙΑΦΗΜΙΣΗ

Wooden items, Mr. Nitsas advises, should never go in a dishwasher. Instead, hand-wash them and rub with food-grade vegetable oil occasionally to seal the grain and prevent cracking — care rituals that extend the life of an organic utensil far beyond anything made of plastic.

Milia is one of hundreds of Greek mountain communities losing population as younger generations move to cities.

The Nitsas workshop is what remains when a craft is sustained by two people who chose to stay — and by a food industry that, for the moment, still values what their hands make.

By Christina Zachou

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