In the shadow of the Karaiskakis football stadium, a cauldron of local pride and unfiltered passion, construction has begun on a radically different kind of landmark for the port city of Piraeus: a world-class museum designed by architect Renzo Piano and dedicated to the art of Africa and Oceania.
The project, named Kyklos, is backed by the Dinos and Lydia Martinos Foundation and represents one of the most ambitious cultural undertakings in Greece.
Its location is a statement in itself. It rises not in a polished cultural district, but in the heart of working-class Piraeus, on the former site of a historic textile factory, its grounds bordering the home of the Olympiacos football club.
The contrast is intentional and striking. On one side of the street, the tribal chants of football fans echo weekly; on the other, a serene, light-filled space is taking shape to house the ritual and symbolic art of faraway cultures.
This juxtaposition has made Kyklos a focal point of discussion about the city’s future, long before its planned 2028 opening.
Designed by the Renzo Piano Building Workshop, the museum avoids monumentalism.
Plans show low, translucent, and ecologically sensitive buildings integrated into a lush public park. The project will feature 9,000 square meters of exhibition space, but more than half of the 24,000-square-meter campus will be returned to the public as open green space, with nearly 300 trees set to be planted.
The design also honors the site's industrial past by restoring and integrating the preserved remnants of the Aigaion textile factory, a cornerstone of Piraeus’s manufacturing history.
The project is a key part of a wider cultural revival in Piraeus, which will also see the 2026 opening of a new National Museum of Underwater Antiquities. Yet the question many are asking is whether a museum of global art can truly become part of the city’s gritty, industrial ecosystem.
If the vision holds, Piraeus—a city of departures, cargo, and contradiction—could gain a cultural anchor that redefines its identity, proving that world-class art and local life can coexist where ships depart and passions collide.
By Katerina Anesti